TWiP #157 – Superphones, Supermodels, and Super spills

TWiP #157 – Superphones, Supermodels, and Super spills

Audio MP3

Canon’s Wonder Camera Concept. Using a Superphone to shoot Supermodels? And BP’s continued media black-out.

Hosts: Frederick Van Johnson, Alex Lindsay, and Catherine Hall

NEWS & DISCUSSION

Photog Detained By Cops and BP Security Guard in Texas

BoingBoing – Xeni Jardin – A freelance photographer who was taking pictures of a BP refinery in Texas was detained by a BP security official, local police and a man claiming to be with the Department of Homeland Security, according to nonprofit news org ProPublica. The photographer was working on a story about multiple large toxic releases at the BP refinery which happened just before the big Gulf oil blowout.

Canon Wonder Camera Concept Uses Video to Take Photos

Canon at the Shanghai World Expo has shown a rare camera concept that outlines its plans for the future. Only called the Wonder Camera so far, it would completely drop the notion of separating stills and video. An extremely high-speed focus would always keep the shot in focus and, along with large amounts of storage, would provide static images simply by picking one of the video frames.

A Professional Fashion Shoot With an iPhone 3GS

When photographer Lee Morris posted images of a professional model from this set on his site, some of his readers claimed they were the best photos he’d had ever taken.

The joke? They were taken on an iPhone 3GS (not even iPhone 4!) to silence those who, week after week, complained that their cameras weren’t nice enough to take pretty pictures.

The vimeo video clip is about 10 minutes long, but it’s a fun watch all the same. Not only will you discover Morris’ secrets behind the shots (a beautiful model, retouch artist, plenty of lighting—that’s the most important part — and a strip of Velcro to mount the 3GS to a tripod) but you can enjoy a possibly staged but still funny moment when the photoshoot is interrupted by a phone call.

Adding a Carl Zeiss SLR Lens to Your iPhone 4 – Is This for Real?

The Unofficial Apple Weblog – If the 5x digital zoom on the iPhone 4′s 5 MP digital camera doesn’t make your heart pound with joy, maybe you should dig out some of those lenses from the SLR film camera that you’re not using anymore and use ‘em with your iPhone.

Starting with a Manfrotto Model 797 Modopocket tripod, the rest of the rig appears to be some sort of clamp holding the lens and (on the camera side) a T-mount adapter. I’d be willing to venture that there’s some sort of lens in the T-mount so that our friend, the iPhone, doesn’t have to squint to see through that nice Carl Zeiss lens.

LISTENER QUESTIONS

Question #1:

From Alejandro Rossano: I have a question regarding focus points, I usually only use the middle focus point to focus and then recompose. Is there a difference between focusing and then recomposing and selecting the focus point to mark where your subject is?

Catherine: I highly suggest moving your focus point screen around. So you get in the habit when you are shooting things that are moving. Sometimes you may have to recompose because the focus points are not over the entire screen. Just get use to it (moving the focus point around).

Alex adds that if your are shooting a short depth of field focusing and moving the camera a few inches could throw the subject out of focus.

Question #2:

From Rick Moore: I really like the tap focus on the iPhone and also tap exposure. So when do you guys think we’re going to get these features on SLRS?

Frederick: I would like it to! Recalls when Ron Brinkmann had an artist rendering on his blog of an iPhone on the back of a SLR body. Alex adds that the important part of the camera is the sensor and lens and he would love to see an iPhone as the interface since it has more power than the processors in existing DSLRs. That would also open source the UI development too.

Question #3:

From Mark Lane: I’ve been using Digital Photo Professional to edit my RAW photos, but did not understand until recently that when I edit them, it is not saved within the CR2 file but rather in the DPP library. I’m now wanting to purchase Lightroom, but would first like to know how to move my files from DPP into Lightroom keeping the enhancements I’ve made and not having to export them as Tiffs. Any ideas as to how to do this?

Alex: I don’t think it’s possible. Frederick says Mark should check to see if the software can export in Adobe’s DNG file format.

PICKS OF THE WEEK

Frederick – www.ThisWeekInPhoto.com/tour
Alex – Panasonic Lumix GH1
Catherine – D1000 Air Electronic Flash by Profoto (about $3,500 USD for a kit)

WRAP UP
Follow us on www.twitter.com/ThisWeekInPhoto

Join the Flickr critique group. You can also join our Facebook group.

Frederick Van Johnsonwww.frederickvan.com or www.twitter.com/frederickvan

Alex Lindsay www.pixelcorps.com or www.twitter.com/AlexLindsay

Catherine Hall www.catherinehall.net.com or www.twitter.com/catherine_hall

CREDITS

TWiP is brought to you by SquareSpace – the fast and easy way to publish a high-quality web site or blog. For a free trial and 10% off your new account, go to – Squarespace.com/twip, offer code TWiP.

Show notes by Tom Newman at www.fogviewphotos.com or www.twitter.com/fogview

Bandwidth provided by Cachefly. Intro Music by Scott Cannizzaro

About Tom

Tom is a photographer, website designer as well as a iPhone/iPad applications programmer in the San Francisco Bay Area. Tom is also one of the official show notes contributors for TWIP.
  • Martin

    Guys,
    what are you talking about?

    Ever tried to grab a film frame done with 1/30th of a second exposure time? its mostly blury, especially when you move the camera, also the subject will be when moving.

    basically, Film gets flicky when you capture it with less then 1/30th of a second

    You CANT do Video and Stills at the same time!!!

    • http://www.frederickvan.com Frederick

      Remember, this is just a concept. Meaning it’s fiction at the moment.

  • wayne

    You can with certain kinds of equipment. I have to agree with Alex, and you(Martin) most “real” still shots can’t be grab’d by video frames.

    Party Like a Rock Star!

  • http://brightcloudyday.wordpress.com/ NptPrchr

    I’m sorry, but I think you really missed a huge part of the story in the discussion of the ongoing media access restrictions to the BP oil disaster in the Gulf. It should not be surprising that someone at BP thinks the way to have them come out smelling better in the end is to keep people from taking pictures or video of the spill and it’s effects.

    Companies & corporations are going to do that, regardless of whether it’s the best way to handle it (most probably agree that it isn’t).

    The real story here is the collusion of local/county/state & federal governments to keep media away from “sensitive” areas! BP should not have a single government covering their backsides with a legal pretense here. Instead, we see feds and local law enforcement carrying BP’s water and giving their whims the force of law.

    I don’t know if you guys are just missing this, or if you’re reluctant to call the Obama admin. on the carpet over this abuse of government power. I mean, I hate to be a conspiracy nut, but …, I know most the TWIP regulars trend towards the Left of American politics. And that’s fine, but it shouldn’t come into play when you’re covering photography-related news that MIGHT have a political dimension.

    That being said, I love the show and will keep listening. :-)

    Derek

  • heisei

    Alex’s ADD kicked in and he didn’t state his pick. Show notes say it’s the Panasonic GH1. I would have liked to hear why. Is it the available firmware mods mentioned on MacBreak? I think that was where he borrowed Leo’s camera…

  • http://blurdotblog.com/ blurdotblog

    Question #2 is about a iPhone-like touch screen like on an SLR. I recently saw a TV ad for a Panasonic DMC-G2 where the screen can be tapped to focus.

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